Hate That I Made You Love Me on Gesture Synth.

01 / FOUR CHORDS YOU PLAY YOURSELF

Hate That I Made You Love Me: load Am, E, F and C

This Gesture Synth guide for Hate That I Made You Love Me teaches a short Am–E–F–C accompaniment exercise. You configure four chords, count four beats for each one and change them manually. The bank follows a published easy-guitar excerpt in A minor. It is a limited beginner study, rather than a complete Ariana Grande arrangement, a vocal track or a synchronized recreation of a social-media cover.

Use the practice link to select Sing & Play, Four chords and the 120-second recording option. It loads silently: camera, microphone and sound do not start just because you followed the link. Check the song banner, then choose Mouse Mode and listen to the four buttons. You can also open the instrument and enter these settings yourself.

Keep Inversion at Root position for every slot. These octave choices are our practical synth voicings, not a transcription of the guitar's register. The first chord sits higher than the second, so a change in bass height is expected. Learn this starting bank before adjusting inversions; otherwise a new voicing can sound like an incorrect chord even when its root and quality are right.

Am and E need different thirds

Am contains A, C and E. The C natural makes it minor. E major contains E, G♯ and B, so its middle note is G sharp rather than G natural. Selecting Em by habit removes that raised third and changes the exercise. Play slots one and two slowly, listening to their different character before adding the last two chords. Root letters alone do not identify the required harmony.

02 / KNOW WHICH VERSION YOU ARE LEARNING

A published four-bar excerpt, with a clear boundary

The public first-page preview of Musicnotes' easy-guitar edition, MN0315260, shows four opening measures labelled Am, E, F and C, in 4/4 with quarter-note 96. The listing identifies A minor for that edition. We use those chord names as the basis of a short, original instrument-only practice. We do not reproduce its melody, tablature, lyrics or complete score.

A teaching edition's key does not establish the original recording's key. The creator's Gesture Synth cover caption says D♭, which is a different performance context. Our A-minor bank is not a promise that you can press play on that video and accompany it in tune. Learn one stated version at a time and compare the actual sounding chords before attempting a play-along.

The exercise also does not establish where a chorus starts or which timestamps belong to the studio recording. It teaches the four measures observed in the cited excerpt. A successful take means four intentional changes with the stated notes and timing. For a complete song, further sections, detailed vocal rhythm or original instrumentation, use an authorized arrangement and a suitable instrument.

03 / CHANGE ON THE NEXT ONE

Count a ten-second chord phrase at 96 BPM

Give Am one group of four beats: ONE, two, three, four. Start E on the next ONE, then do the same for F and C. Four bars contain sixteen quarter-note beats. At 96 BPM a beat lasts 0.625 seconds, a bar lasts 2.5 seconds and this practice phrase lasts ten seconds. Those numbers describe the exercise, not the length of the song or a promise of automatic synchronization.

Use an external metronome or count aloud. The Four chords bank does not supply a tempo field, a count-in or automatic chord changes. Before recording, count one silent bar, choose the first slot on ONE and keep your pulse steady. If you need time to find a button, slow the whole exercise down instead of squeezing extra pauses between otherwise fast bars.

Three drills that solve different mistakes

1. Hear the third: alternate Am and E without a clock. Confirm E major and listen for G♯ before attempting a fast transition.
2. Prepare the next slot: play E and F for four beats each. During beat four, look at the next button while keeping the current chord sounding.
3. Finish deliberately: play F, C, then one silent bar. Ending cleanly makes it easier to hear whether you accidentally started another Am.

For mouse or touch, a quick press latches the selected chord. Choose another slot to change it, or press the active slot again to rest. Holding a button longer than 250 milliseconds makes it release when you let go. Use quick presses for this sustained-chord exercise; long holds can introduce unintended silences when you move between buttons.

Add camera gestures after the sequence is comfortable

Stop Mouse Mode and choose Start Camera. In Four chords, fold your left thumb and raise one to four non-thumb fingers to select slots one to four. One means Am in this bank; it does not mean a universal musical scale degree. Close the left hand into a fist to rest. Keep both hands visible, with enough space between fingers for tracking.

Your right-hand height shapes volume and wrist tilt shapes tone. Initially keep that hand steady so expression does not hide a mistimed change. If the displayed slot flickers, simplify your pose, improve lighting or return to the buttons. A stable button take is a useful reference before you try to solve timing and hand tracking together.

04 / LISTEN TO ONE CLEAR TAKE

Record the phrase and identify what needs practice

For a prepared take, choose 120 seconds and leave the microphone off. Press Record 2 min, count one silent preparation bar, then play the ten-second phrase. Rest after C and press Stop clip to open the preview. The 15-second option is only a quick sound test: it ends automatically and leaves little room for preparation and a final rest. Listen for four equal bars, a major E chord and an intentional ending. A clip with three correct changes and an uncertain final stop tells you more than repeatedly restarting without listening. Practise the specific join that caused the problem.

Sing & Play also offers 120 seconds for a longer practice session. If you add your own singing, use headphones, enable Add microphone and check the meter after granting permission. No singer, backing track or lyrics are supplied. A microphone problem does not prevent an instrument-only take. Recording, preview and export guidance is in the recording guide.

Playing, recording and full local preview are free without signing in. Optional single-recording video export costs US$9.99; packs show their current price and included recordings before payment. Paid export requires sign-in and confirmation of the selected recording's private upload, with no subscription. A purchased or unlocked file remains downloadable for 30 days. Preview first so you know what your take contains.

For setup details, use custom chord settings. For a different counting task, try Linger's simplified long-hold exercise, or return to song practice. This is an independent educational guide, unaffiliated with Ariana Grande or the publisher.

QUICK ANSWERS

Hate That I Made You Love Me practice questions